Once upon a time (in NYC)... is a potential platform to engage in or ponder over mindful conversations through story-telling (Fictional Animated Shorts, inspired from True Events), open dialogues, acknowledge diverse perspectives, share experiences, and speculate future possibilities.

The Pandemic and the Isolation has been a challenging time for the people of New York City. An experience as such certainly takes a toll on one's mental health and well-being. While we are trying to understand and acknowledge the widespread and diverse impact of such an experience, and support each other as individuals, as friends or family, as a community; we must remember that the city feels our absence too.

To realize the impression we can have on trivial and inanimate objects and places, and as an act of Provocation to acknowledge the significance of public spaces, the often unnoticed parts of the city are represented and/or animated digitally expressing their feelings, and having a dialogue of their own about their experiences and expectations from the city and its people.

Overview

According to a Parks and open space partners - NYC report on Covid-19 impacts on public spaces over 25 not for profit organizations look after the maintenance of more than 50% of the Parks and Public Spaces, and rely primarily on private funds and donations. As quoted from the same report, “These groups provide crucial support for 15,000 acres of parkland and green space, accounting for 50 percent of the city’s total public green space; they employ over 500 full-time staff and hundreds of seasonal workers; invest private funds of over $150 million annually in public land; and engage more than 100,000 volunteers annually to help care for parks and gardens. There are also nearly 600 other formal and informal collectives with modest (or no) budgets, many in under-resourced communities, that rely on thousands more volunteer hours to support and program local parks, gardens, playgrounds, and open spaces.” Around 70,000 people have left the metropolitan region this year, resulting in about $34 billion in lost income according to Uancast findings about migration patterns and emerging areas. According to the survey conducted to anticipate projected losses in second and third quarter of 2020 by the Parks and open space partners - NYC, staff-cuts/layoffs, and social distancing, were to result in 39,668 lost hours of maintenance and 109,384 lost hours of horticultural care citywide in 2020. An approximation of 3400 trees would not have been planted in 2020, and around 150 acres of land would have suffered from low maintenance, due to the lack of human and financial resources.

It is evident that after the months of isolation, more and more people are looking for nature retreats and getaways. And not just nature, but people are in general looking to engage in and connect with their surroundings and open spaces. Although human interactions and engagements are deeply craved, it is the connection through physical spaces that are appearing to be the safest resorts. People took to sidewalks and pavements to socialise safely, dine in the open, and carry out the food/groceries or other delivery processes. As time passes and everyone attempts at returning to the world outside of isolation, people will have spent more time out-of-doors near their homes and are likely to have a renewed feeling for their local public places as a result of finding a welcome change. A renewed sense of connection might just be the right encouragement towards a caring sentiment, where Lawns are mowed regularly, bathrooms are cleaned and trash is picked up at the very least.

And not just for New Yorkers, but tourists too are finding themselves in unusual patterns. While walking around the Times Square, stopping only to take a photograph, or look at a map, or rest the tired travelling shoes, was the way of the wanderers, tourists are now interested in the city past the crowds. They are stopping to breathe in the city and not just capturing it through cameras.

Once upon a time (in NYC)... is a series of narrations of these experiences from the point of view of the city. Generating empathy is quite a controversial subject, but does imaginaging inanimate objects having feelings and thoughts of their own modify the human behaviour in any way? Do we notice the neglected parts of the city more by doing so? Does it help in appreciating and caring for our surroundings more, rather than neglecting, breaking and replacing them eventually? Is it just the job of a specific few to look after the spaces everyone shares? The Pandemic has introduced both, a lonely as well as a united world simultaneously. Changes are often overlooked when they occur gradually, and they only make sense in the retrospect. But this pandemic has fast-paced some incredible lifestyle alterations, that everyone can witness unfolding in front of their eyes! Since the Before, During, and After part of a transformation is quite evident, it is prudent to grasp the opportunity and contribute. Once upon a time (in NYC)... is first and foremost, an initiative to share the semi-fictional experiences and encourage the minds to think deeply about the next steps, as they very well might set the tone for a new system. It’s primary means is to convey the thought-provoking messages, which might then be followed by an open discussion about diverse views, questions, brainstorming about the future possibilities, which eventually needs to result into a tangible output.

Process

Once upon a time (in NYC)... initiative is a primary version of the conceptualization. The framework of this initiative has been inspired from Everything is Alive and endangerhood. The visualization and application can be carried out through various physical and/or digital mediums as per one’s skills and comfort. These initial narrations use very few and extremely low fidelity tools as of now. There are two media elements: the visual, and the voice; and two conceptual elements: the protagonist and the dialogue.

The Visual and the Voice
The Visual has been a combination of physical drawings on paper with ink and pen, digital modifications using Adobe Photoshop and Procreate, and animations through Adobe Character Animator. The Voice can be recorded as a part of the Adobe Character Animator Process. Tutorials for easy animation can be found here.

The Protagonist and the Dialogue
Since the idea of the initiative is to give the unnoticed part of the city a voice, the protagonists have been places and objects often overlooked but always around and relatable. The Dialogue is a sensitive area, and can only narrate a certain perspective of the story. But this platform is open to reiteration and narration from multiple perspectives.

Presenting Once Upon a Time (in NYC)...

To realize the impression we can have on trivial and inanimate objects and places, and as an act of Provocation to acknowledge the significance of public spaces, the often unnoticed parts of the city are represented and/or animated digitally expressing their feelings, and having a dialogue of their own about their experiences and expectations from the city and its people.

A Pavement Tile


The Dialigue:
"It used to get quite lonely out here. We felt like we were such an important part of the humans’ world, yet we didn’t think the humans felt that. We were always there for them, yet they walked all over us! Oh yes, we forgot, it might seem strange to the humans, when we refer to ourselves as we. So, well, we all are so interconnected, so well gelled and mixed up, we always are a we. And it affects us all when humans take no regard for us. We always used to get trash thrown at us, and were always being spat at and even worse. We were barely ever cared for, but when humans tripped or fell, we were to blame. We feel embarrassed to admit, but we are quite jealous of the stairs. They get so much human attention and love. Humans are always taking care of the stairs, decorating their railings, cleaning them, sitting on them and playing around, talking, taking photographs. We are right here, right next to the stairs, but never equally appreciated. Is it because we are flat? Is this discrimination because of our shape and form? Humans were and are responsible for deteriorating us, and then they don’t see us to be special enough to include us in their lives. Isn’t that unfair? But we admit, things have been different lately. Humans may have decided to give us a break, because we started feeling less and less humans, and then there were almost none. It felt like we were healing. We guess healing is just a feeling, maybe we were not being wasted away. That felt like healing. And just as suddenly humans started to come back. It was disappointing. But something was different. They were not just walking all over us, they were actually spending time over us. We were so pleasantly surprised when one day, at our south corner, the humans were cleaning us, and grooming us with chairs and tables. Do you know that is where the humans actually hang out? They really spend time over us with other humans. And we can sense more and more parts of us being noticed. Our east corner is actually being repaired and painted with fun colors! We wonder what the humans will do there! Humans are actually keeping their furniture on us, and using them, not just to give them away! We’re really excited to house some nature! That has always been our dream! We hope some humans think of that! We hear from the furniture kept on us sometimes, how fun and caring humans are inside their houses, maybe they’ll start treating us the same way. We would love it if they treat us like home!"

Reimagining Pavements and Curbsides: The Pavements became a sanctuary for safe socializing during the Pandemic. How can we reimagine Pavements and Curbsides to create a sense of home, for us as well as this most spread-out public place?



An Appartment Door


The Dialigue:
"I first remember seeing my human three years ago when she came to see us, and two weeks later she was moving in. We, I mean my flatmates, the bed, couch, window blinds, and everyone else, all of us were all excited to have a new family member among us, she started making us all look like home. But after a few weeks of settling in we started seeing less and less of her. I, of course, always knew when she used to come in and go out, I think it was usually for work. I always remember her using me when it was dark out. It always took her few tries to get my key in in the dark. I think she used to work really hard. I mean she does even now. For the most days she used me twice or thrice a day, I remember one time she forgot my key and she had to wait for 5 hours so someone could get her key. She cursed and hit me a lot that day. My friend 219 told me his key works for me as well, but my human did not know his human, or she wouldn’t have had to wait. Days were usually like this, my human being out, and when she was home, she was always busy with preparing meals and sleeping. Sometimes other humans used me when they came to meet my human. And that was how it usually went. My human was too busy sometimes to take care of us. When I talk to my friends in our lobby, they tell me how it was more or less the same routine with their humans. Some of them had baby humans living with them, it was slightly different. But we were good friends, our humans weren’t. But then things changed one day. My human stopped using me. Sometimes she does this when she is ill. But this continued for a long time. I saw a lot of new humans leaving food near me, and my human collecting it. That was the only time when my human used me. She cleaned me a lot with some water that stung. I found out it was the same with my friends’ humans as well. But she started taking care of us more often. The window was so happy to have plants on her, and the lamp was practically glowing without the light. We were all happy, but I think my human was not always happy. Why was she not going for work? But then again she started using me to go out, although it was at unusual times. And she always came back sooner. All the humans in our lobby were coming and going at unusual times. This one time, I saw my human coming back with my friend’s human. All of us doors noticed things changing. More and more of my friends’ humans were meeting each other. My human borrowed my friend’s key this time when she got locked out. All the humans hung out more and more around us. I got very busy because a lot of my friends’ humans kept coming and going, and more frequently. We doors were not happy about the new dogs in our building, we were scratched a lot, but all our humans were very excited, so I guess that is okay. I’m being kept open a lot these days."

Rethinking our sense of Community: With a sudden shift in lifestyles, the relationships between people and their surroundings (including living and non-living things) are evolving. With people spending more time around homes and neighbourhoods, a sense of community is being fostered; attention to and interests in local environments seem to be increasing. How aware have we been of our surroundings that we build for ourselves, but often oversee? How to sustain the welcome change of this sense of community and belongingness, once the compulsive need to do so is gone?



A Tree in Central Park


The Dialigue:
"Change keeps happening all around us so it is rarely new to me. But I do understand how this change might be different. It’s at an unnatural pace, isn’t it? I’ve been here since always and humans are all the same. They are often involved in their own selves to really notice me. I mean they do notice us all as a whole, but I sometimes lose sense of my individuality when I’m just seen as a part of something whole. But I believe I too look at humans as a whole. They have these repetitive patterns of activities. I notice some come to exercise, or to meet someone. There is always a lot of activities going on, but those are of the least interest to me because I just see a crowd. Other than that, there’s always the same waking of pets or picnics. Well, that part always breaks my heart, because they leave behind a lot of dirty things around us. Some humans keep attempting to take care of us, but it always stays dirty somehow. But, well, there are some exceptions as well. It’s always nice to have humans playing around me and on me. It makes me feel seen and heard, as if I am not a part of the whole, but I am me. I am not part of forest or park statistics, but I am me. It is like a fresh breeze when someone purposefully gazes at me, or feels the touch of my bark. I only remember this one human very distinctly because he used to come and talk to me every now and then. He did it with a few other trees as well, but I wasn’t jealous, because this human and I had our own story. I was pleasantly surprised when he came to me for the first time and talked for hours, but I was touched to my roots when he kept coming. Suddenly, humans were not patterns, but individuals, similar to myself. And then equally suddenly it all changed, I’m used to change, but this was different because it was sudden and it affected all the humans. To be more specific, there were no humans. It felt surreal, uncomfortable but curious. I didn’t have complaints, to be honest. There were no toxic smells of the garbage, no uncomfortable heat from their many appliances. I could see all my neighbors had more space to grow, heal their wounded parts. We were not trimmed or cut as per the humans’ conveniences and aesthetics. I don’t mind being seen as a part of a whole if I’m the one who’s doing the seeing. But I did miss my special human, and maybe the ones that played with me. I started seeing humans again, but not a lot. They were looking different. There was a new activity going on in the park, but it felt different. Maybe because the patterns of the humans felt more serious. And there wasn’t really a crowd. I could see white tents, but they were different from the camping tents of humans. My neighbors were not happy either. Although there were no humans who made our surrounding unpleasant, there also were no humans who took care of us. I wondered what happened to my special human. Was he okay? Then I thought, maybe humans being around wasn’t such a bad thing. But now I am again seeing the humans returning, along with the trash and the unnatural heat around me. And they are as distant from each other, as they usually are from me. Although I’ve noticed their distance from each other has brought them closer to us. Some of my neighbors who barely had felt the touch of humans before, are now enjoying their company. But I know, this means soon they’ll enjoy their toxicity, isn’t it? Does one side of humans not come with the other? This is surprising; Since when did the energy of humans affect me?"

Rethinking mindfully about our relationship with nature: This unexpected separation due to the Pandemic, of people from nature has not only affected the people, but also the nature. While nature needs to heel from the toxicity of the humans, is it likely that the relationship is more codependent than we assumed? While we are simultaneously and actively ignoring as well as focusing on the extremely adverse effects of us humans on other living beings, is it possible that they need us as well? While we are starting to leave our isolation, we must rethink our habits and ask ourselves about how we want to rebuild our relationship with nature.



A Billboard at the Times Square


The Dialigue:
It’s always the same. The movements of the specs below me. They’re always in motion. They’re always walking in synchronized manner, sometimes stopping, then walking again. Sometimes I see twinkles of lights from the specs. I’ve come to know they’re taking photographs of me, my colleagues, themselves, and other things. But I don’t know why. I’ve always been here, and mostly I am red and yellow. Sometimes I feel different, sometimes I’m of different colors, but mostly red and yellow. It’s usually the same. I don’t really notice the specs below much, there’s usually nothing new there. Same patterns, colors, motions, groups. Although recently, there are far lesser specs, the patterns and motions are not predictable. The smaller specs from the sides are now in the middle sometimes. They look different. The view looks different. It’s a change from my everyday view. Some of my colleagues look different too, more somber. I wonder for how long this will stay.

The Questions: What are the thoughts on New York for Tourists vs New York for New Yorkers? How much do we notice past the mundane patterns? What is the image of the city for residents and travelers?

Future Proposal

Once upon a time (in NYC)... is envisioned to be eventually built as an interactive online platform to collaborate, critique, contribute to and build the idea further.

Contact, Collaboration, or Contribution:

Once upon a time (in NYC)... is a work-in-progress initiative by Nishra. Feel free to share and/or further explore the narrations and artworks with appropriate accreditation. In case of any discrepancies in the information, questions/queries about copyrights, willingness to collaborate or contribute in any way, please contact Nishra at nishra@newschool.edu.

References

https://riversideparknyc.org/wp-content/uploads/2020/05/Parks_and_Open_Space_Partners_NYC-Report_2020.pdf https://www.unacast.com/covid19/covid-19-migration-patterns-and-emerging-areas https://www.reuters.com/article/usa-economy-nyc/fleeing-new-yorkers-resulted-in-an-estimated-34-billion-in-lost-income-study-idUSKBN28P1Q8 https://www.architecturaldigest.com/story/nyc-public-spaces-covid-19-threat

Inspiration behind the framework of Once upon a time (in NYC)...
https://www.everythingisalive.com/ https://www.instagram.com/endangerhood/?hl=en

Below blogs / essays inspired the narration of the shorts in some way or another:
https://www.nytimes.com/2020/08/21/insider/new-york-city-pictures-pandemic.html https://wonderlusttravel.com/new-york-city-coronavirus-photo-essay https://www.architects.org/photo-essay-new-york-city-empties-amid-covid-19 https://www.city-journal.org/midtown-new-york-public-spaces https://www.nytimes.com/2020/06/29/nyregion/nyc-parks-playgrounds-plazas-coronavirus.html

Digital Resources:
https://www.adobe.com/products/photoshop.html https://procreate.art https://www.adobe.com/products/character-animator.html